Xiao Ye Zitan (Red Sandalwood)-Venus Playing Chain
Xiao Ye Zitan (Red Sandalwood)-Venus Playing Chain
Rosewood color is deep purple, traditionally for the royal family home furniture special wood, expensive, is a valuable wood, known as "the emperor of the wood". It is often said that ten sandalwood nine empty, currently on the market, the diameter of the large rosewood is only 20 centimeters or so, because of the low rate of material, scarce resources, and there is "sandalwood inch gold" said.
Handmade Exquisite and delicate
Making Xiaoye Zitan craft for more than 20 years, very experienced and skillful. Specializing in polishing round beads, bracelets and other small pieces. To round beads, for example, every day can only produce a few pieces of finished products, visible rosewood processing difficulty, the process of complexity, very lucky to come to your hands.
Full gold star small-leaf zitan
The use of natural forest rosewood, in the absence of artificial maintenance and fertilization and other conditions, completely in the natural conditions of growth, and is the growth of more than hundreds of years of old material, the gold star evenly distributed, as bright as the starry sky shining eye-catching, such as jade like pearl.
Oily enough
Finished string surface oily, conduit hole total grease constantly penetrate outward, if a period of time does not disk, after taking out will have astringent feeling. With a cotton cloth gently rubbed, it will appear very bright and oily.
Dense texture
This section of the Xiaoye Zitan Buddha beads, the old material through the years of wind and rain, Sheng in a hundred years of heavy pressure on the building wood is more dense will not be deformed and cracked.
Uniform color
This string is made of the whole piece of material of Jinshi This string is made of a single piece of gold sandalwood, so the color of the string is more proportional, there is no big color difference.
Same Root and Material
The same root and the same material, the same density, the same color, the same oil, the same color, the same aventurine, showing the natural beauty.
Each bead is delicately sanded and polished to ensure the uniformity of color and texture
Each bead is exquisitely polished to ensure that the beads are in good condition, the entire string of uniform color, texture superb, we pay attention to every detail / the use of hand-woven auspicious knots shape vivid chic, with the same material stupa love.
Craftsmanship
Careful selection of materials Craftsmanship
1.Careful selection of materials
Select the whole big material, the tree is old, the same material opened by the color is uniform, reject the edge of the material
2.Slicing
Raw materials after opening saw blade air-drying for a week, in order to prevent the later cracking, many merchants in order to make a quick profit after slicing directly after painting mold, the later beads easy to crack.
3.Drawing mold playing column material
Ten sandalwood nine empty, the core part of the tree and the blank density of poor oil, we directly planing away the bark and the core of the hollow part.
4.Cutting
Experienced masters personally operate the machine to cut the block processing, this step is more difficult.
5.Water Grinding
Flying knife rotary grinding round, this step of the process requires high, a slight deviation beads will not be round, which is the key to molding.
6.Hand polishing
Handmade 10 procedures polishing and polishing, from 180 to 5000 mesh layer by layer gradually polished, can not skip one of the layer, woolen cloth wheel finish polishing the surface as bright as jade, collision with the sound of crisp oily luster.
7.Layers of quality control
Screening quality control, eliminating crooked beads, flat round black rib and other beads that do not pass the test.
8.Finished beads
After layers of polishing, layers of quality control, polished into 5000 mesh finished beads.
Care instructions
1.Avoid contact with cosmetic alcohol
2.Avoid wearing while bathing or swimming
3.Avoid use when sweating heavily
4.Avoid impact or scratches
5.Avoid sun exposure
Playing Methods
1.Plate beads do not have pressure
A lot of friends against the fear of their own beads disk play is not good, in fact, unnecessary to have this pressure, in our free time, or when watching TV, wear gloves and gently rub each part of the beads, including the hole in the vicinity of the dish, are to be uniform to the disk, a disk play half an hour, three times a week is enough to disk play!
2.Receive the beads Note
Just received the beads, first do not rush to play due to differences in climate around, first sealed for a week and other beads to adapt to the local climate and then take out the disk to play, so that the disk out of the effect is better, beads in the disk to play during the try to avoid dipping sweating and dipping in water, if dipping sweating and dipping in water, it will lose the luster of the bead will become acerbic, and at the same time to avoid the hot air conditioning mouth blowing, and the sun's exposure to the sun, that will make beads easy to cause! Cracking!
3.Plate beads should not be armed plate
We are playing with the beads on the plate, can not be rushed if we play too often, that is not good, it will make the beads become dry, so the beads out of the plate lack of luster! Instead of achieving the desired effect, in accordance with the above method of disk play, three to six months beads will slowly begin to become brighter and brighter, the surface of the formation of a layer of oily protective layer!